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Skills Assessment Resource Guide, STAR 1-Gold
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skater will perform both a RFI and a LFI Open and Closed S Step. Performance Example: Open S Step (Kilian): From forward skating, the skater will step onto a FI edge with the free foot in front, rotating the upper body into the circle. Extending the free leg and placing the free foot on the ice at the inner side of the skat
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Read matching page 34 on this siteDance Assessment Resource Guide
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esponding hip of skater A (follow). Tight hip-to-hip position is undesirable since it impedes flow. Kilian Hold: The partners face in the same direction with skater A (follow) to the right of skater B (lead) and skater B’s (lead’s) right shoulder behind skater A’s (follow’s) left. The left arm of skater A (follow) is extende
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Read matching page 7 on this siteDance Assessment Resource Guide
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ive for unison of free leg swings and soft knee action throughout the dance. The dance is skated in Kilian hold. Suggested Introductory Steps Skater B: LFO (3), RFO (3) Skater A: LFO (3), RFO (3) Focus Areas Focus Area 1 B steps and A steps (Lead & Follow): Steps 1-3 B steps and A steps (Lead & Follow): LFO, RFI-Pr, LFO. Ska
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Read matching page 15 on this siteDance Assessment Resource Guide
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2026 Skate Canada 16 STAR 2A - Dutch Waltz Step Chart Hold Step No. Steps Number of Beats of Music Kilian 1 LFO 2 2 RFI-Pr 1 3 LFO 3 4 RFO-SwR 6 5 LFO- SwR 6 6 RFO 2 7 LFI-Pr 1 8 RFO 3 9 LFO 3 10 RFI-Pr 3 11 LFO 2 12 RFI-Pr 1 13 LFO 3 14 RFO- SwR 6 15 LFO 3 16 RFI-Pr 3
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Read matching page 16 on this siteDance Assessment Resource Guide
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st Performed The University Skating Club, Toronto, 1951 Description This dance is skated in reverse Kilian hold. It is a very simple dance with a threefold purpose: first, to introduce the tango rhythm to those at the STAR 2 dance level; second, to give the skater experience in the large eightcount half circles, giving them
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Read matching page 18 on this siteDance Assessment Resource Guide
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e Canada 19 STAR 2B - Canasta Tango Step Chart Hold Step No. Steps Number of Beats of Music Reverse Kilian 1 LFO 1 2 RFI-Pr 1 3 LFO 1 4 RFI-Ch 1 5 LFO-SwR 4 6 RFO 2 7 LFI-SlCh 2 8 RFO-SwR 4 9 LFO 2 10 RFI-SlCh 2 11 LFO 1 12 RFI-Pr 1 13 LFO 2 14 *RFO-SwR 4 * Optionally CR-RFO
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Read matching page 19 on this siteDance Assessment Resource Guide
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ce for one round of the rink. The dance consists mainly of two beat progressive sequences skated in Kilian hold. Step 7 (RFOI) and Step 14 (LFO- SwR) are the only 4 beat edges. The free leg swing forward and back on Step 7 is executed as follows: forward on count 2 and back on count 3. The simple steps allow beginners to get
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Read matching page 21 on this siteDance Assessment Resource Guide
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© 2026 Skate Canada 22 STAR 3A - Baby Blues Step Chart Hold Step No. Steps Number of Beats of Music Kilian 1 RFO 2 2 LFI-Pr 2 3 RFI 2 4 LFO 2 5 RFI-Pr 2 6 LFI 2 7 RFOI-Sw 2 + 2 8 LFO 2 9 RFI-Pr 2 10 LFI 2 11 RFO 2 12 CR-LFO 2 13 RFI-Pr 2 14 LFO-SwR 4
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Read matching page 22 on this siteDance Assessment Resource Guide
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te Set George Muller First Performed Colorado Springs, 1948 Description The dance starts in reverse Kilian hold. At steps 10 and 11, partners change to Kilian hold while executing the open C step. Steps 11 to 15 are danced in Kilian hold, and as partners change from backward to forward skating at step 16, they take reverse K
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Read matching page 32 on this siteDance Assessment Resource Guide
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te Canada 33 STAR 4B - Fiesta Tango Step Chart Hold Step No. Steps Number of Beats of Music Reverse Kilian 1 LFO 2 2 RFO 2 3 LFO 1 4 RFI-Pr 1 5 LFO 2 6 CR-RFO 2 7 XB-LFI 2 8 RFOI 4 + 2 9 LFO 2 10 RFI OpCSt 1 Kilian 11 LBI 1 12 RBO 2 13 LBI 2 14 RBO 2 15 XF-LBI 2 Reverse Kilian 16 RFI 2
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Read matching page 33 on this siteDance Assessment Resource Guide
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Dance Assessment Resource Guide February 2026 Copyright © 2026 Skate Canada 63 STAR 8 STAR 8A - Kilian Music Tempo Pattern Inventor March 2/4 and 4/4 • 58 measures of 2 beats per minute • 29 measures of 4 beats per minute • 116 beats per minute Optional Karl Schreiter First Performed Vienna, Engelmann Ice Rink, 1909 Desc
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Read matching page 63 on this siteDance Assessment Resource Guide
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Dance Assessment Resource Guide February 2026 Copyright © 2026 Skate Canada 64 STAR 8A - Kilian Focus Areas Focus Area 1 Skater B (Lead) & Skater A (Follow): Steps 3-4 Skater B (Lead) & Skater A (Follow): LFO, RFO with correct edges, foot placement and timing. Deep outside edges maintained to the end of the beat,
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Read matching page 64 on this siteDance Assessment Resource Guide
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Dance Assessment Resource Guide February 2026 Copyright © 2026 Skate Canada 65 STAR 8A - Kilian Dance Pattern
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Read matching page 65 on this siteDance Assessment Resource Guide
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ey must be careful to step beside and not step ahead. On completion of step 29, the partners assume Kilian hold that is retained until step 32. On step 32 skater B (the lead) skates a slide chassé while skater A (the follow) turns a swing three turn, with a backward lift of the free leg in time with the music, into closed ho
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Read matching page 69 on this siteDance Assessment Resource Guide
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ing (see text) 26 LFO 3 RBO 27 CR-RFO 3 CR-LBO 28 CR-LFO3 2+1 3 RFO 29a RBO 3 2 LFO 29b 1 XB-RFI-Ch Kilian 30 LFO 3 LFO 31 CR-RFO-SwR 6 CR-RFO-SwR 32a LFO 3 3+3 LFOSw3 Closed 32b RFI-SlCh 3
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Read matching page 71 on this siteDance Assessment Resource Guide
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ne First Performed London, Queen’s Ice Rink, 1963 Description The dance begins with the partners in Kilian hold as they skate two run sequences. Steps 4 and 8, after each run sequence, are skated as a “quick cross-over slip RFI”. This is a movement in which the right free foot during the third step (LFO) of the run is held a
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Read matching page 82 on this siteDance Assessment Resource Guide
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9C - Silver Samba Step Chart Hold Step No. B (Lead) Steps Number of Beats of Music A (Follow) Steps Kilian 1 LFO 1 LFO 2 RFI-Pr 1 RFI-Pr 3 LFO 1 LFO 4 RFI-Qcs 1 RFI-Qcs 5 LFO 1 LFO 6 RFI-Pr 1 RFI-Pr 7 LFO 1 LFO 8 RFI-Qcs 1 RFI-Qcs 9a LFO 1 1+1 LFOSw3 Closed 9b RFI-Sl Ch 1 10 LFO 1⁄2 RBO 11 RFI-Ch 1⁄2 LBI-Ch 12 LFO 1 RBO 13 R
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Read matching page 84 on this siteDance Assessment Resource Guide
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ep No. B (Lead) Steps Number of Beats of Music A (Follow) Steps 41 RFO 1⁄2 RFO 42 LFI-Ch 1⁄2 LFI-Ch Kilian 43a RFI 1 RFI 43b RF-Lff 1 RF-Lff 44 LF-Rff 1 LF-Rff 45 RF-Lff 1⁄2 RF-Lff 46 LF-Rff 1⁄2 LF-Rff 47 RF-Lff Qlf at end 1⁄2 + 1⁄2 Rf-Lff Qlf at end 48 LFI 2 LFI 49 RFI 2 RFI
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Read matching page 85 on this siteDance Assessment Resource Guide
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ross in front for both (XF-RBI for the lead; XF -LBO for the follow). Steps 27 to 36a are skated in Kilian hold and steps 27-36 are the same for both partners. They skate a series of touch down steps* in Kilian hold (steps 27 -29.) Leading to the conclusion of the dance is an extremely deep left forward inside edge for both.
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Read matching page 88 on this siteDance Assessment Resource Guide
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” LFI RFO-Ch 23 RFO Sw-ClCSt 3 musical count 4 - 1 - 2 LFI Sw-ClCSt 24 LBO 2 RBI 25 XF-RBI 2 XF-LBO Kilian 26 LFO RFI-Ch 2 “and” 2 RFI 27 LFO with R-Td 1 & 1 LFO with R-Td 28 XF-RFI with XB-LTd 1 & 1 XF-RFI with XB-L-Td 29 LFO with R-Td 1 & 1 LFO with R-Td 30 XF-RFO 1 XF-RFO 31 XB-LFI 1 XB-LFI Kilian 32 RFI LFO-Ch 1 “and” R
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Read matching page 90 on this siteDance Assessment Resource Guide
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ance without breaking at the waist is essential to its stately character. The dance is commenced in Kilian hold that changes to reverse Kilian hold between steps 5 and 6. Steps 1 to 3 form a progressive sequence. Step 3, however, changes to an inside edge after 2 beats so that step 4 may be directed with a lilt and quick bod
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Read matching page 93 on this siteDance Assessment Resource Guide
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Westminster Waltz Step Chart Hold Step No. B (Lead) Steps Number of Beats of Music A (Follow) Steps Kilian 1 LFO 2 LFO 2 RFI-Pr 1 RFI-Pr 3 LFOI 2+1 LFOI 4 RFI 3 RFI 5 LFI OpCSt 3 LFI OpCSt Reverse Kilian 6 RBI 3 RBI 7 LBO 6 LBO 8 RFI 3 RFI 9 LFO 3 LFO 10a CR-RFO-SwR 6 2+1 CR-RFO3 Closed 10b 3 LBO Open 11 LFO 2 RFI 12 XB-RFI
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Read matching page 95 on this siteDance Assessment Resource Guide
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ne B. Wallis First Performed London, Westminster Ice Rink, 1938 Description This dance is skated in Kilian hold throughout with both partners skating the same steps. To ensure a really good performance, it is essential that the couple remain hip to hip - that is with skater B’s (the lead’s) right hip against skater A’s (the
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Read matching page 98 on this siteDance Assessment Resource Guide
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ssessment Criteria must be Silver or better Step Chart Hold Step No. Steps Number of Beats of Music Kilian 1 LFO 1 2 RFI-Ch 1 3 LFO 1 4 RFI-Pr 1 5 LFO Sw-ClSSt 4 6 RBIO 2+1 7 XB-LBI 1 8 RBI 1 9 XF-LBO 1 10 XB-RBO 4 11 LFI 2 12 RFI 2 13 LFO 1 14 RFI-Pr 1 15 LFO 1 16 CR-RFO 1 17 XB-LFIO 1⁄2 + 1⁄2 18 XF-RFI 1
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Read matching page 99 on this siteDance Assessment Resource Guide
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skates a chassé (steps 16a and b), then skater B (the lead) steps forward to place the partners in Kilian hold. Steps 17 to 19 form a progressive sequence that is followed by a swing cross roll (step 20) across the end of the ice surface. Another progressive sequence leads to step 23. This step is a left forward outside edg
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Read matching page 106 on this siteDance Assessment Resource Guide
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1) 12 RBO 2 LFO 13 CR-LBO 2 1+1 CR-RFO3 14 RFO3 1+1 2 LBO 15 LBO 2 RFO 16a RBO 2 1 LFO 16b 1 RFI-Ch Kilian 17 LFO 1 LFO 18 RFI-Pr 1 RFI-Pr 19 LFO 2 LFO 20 CR-RFO-SwR 4 CR-RFO-SwR 21 LFO 1 LFO 22 RFI-Pr 1 RFI-Pr 23 LFO Sw-OpSSt RBI (between counts 4 & 1) 4 “and” LFO Sw-“Tw1” (between counts 4 & 1) Closed 24 LBO 4 RFO 25 RBO 2
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Read matching page 108 on this siteDance Assessment Resource Guide
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so turned under skater B’s (the lead’s) left arm with a transition into an open C step to change to Kilian hold on Step 13b. Skater A (the follow) may move their right hand as they wish during Steps 17 and 18. A change of edge at the end of Step 18 is skated by both partners. Steps 20 to 27 are skated in Kilian hold, interru
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Read matching page 113 on this siteDance Assessment Resource Guide
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8 LFO-SwR 6 RBO-SwR 9 RFO 2 LBO 10 LFI-Ch 1 RFO 11 RFO 2 LFI-OpC-St 12 LFI-Ch 1 RBI 13a RFO 3 2 LBO Kilian 13b 1 RFO 14 LFI-OpC-St 2 LFI-OpC-St 15 RBI 1 RBI 16 LBO free leg behind 2 LBO free leg behind 17 RFO 1 RFO 18 XB-LFIO 1+1 XB-LFIO 19 RFI-Ch 1 RFI-Ch 20 LFO 2 LFO 21 RFI-Ch 1 RFI-Ch 22 LFO 2 2 “and” LFO /LFOTw 1 (betwee
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Read matching page 115 on this siteDance Assessment Resource Guide
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Steps 15 to 26 are skated very softly with bent knees and deep edges. Step 15 is skated in Reversed Kilian hold in syncopation with the rhythm of the music with the XF-LBI being held for two beats followed by a very short RBO on the “and” between beats four and one. Steps 16 to 19 are a series of cross steps skated in Kilian
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Read matching page 119 on this siteDance Assessment Resource Guide
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tep 38 is crossed in front. Steps 38 to 44 are a chassé and progressive sequence skated in Reversed Kilian hold. On Step 44, which commences on the first beat of the measure, the partners extend their right arms forward parallel, then skater A (the follow) takes skater B’s (the lead’s) right hand with their left going into o
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Read matching page 120 on this siteDance Assessment Resource Guide
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I Outside 11 RFO 1 LBO 12 LFI-Pr 1 RBI-Pr 13 RFO 2 LBO 14a LFO ClC-St 1 1+1 RFI3 14b RBO 1 Reversed Kilian 15 XF-LBI /RBO (between counts 2 & 3) 2 “and” XF-LBI /RBO (between counts 2 & 3) Kilian 16 LFO 2 LFO 17 XF-RFI 1 XF-RFI 18 XB-LFO 1 XB-LFO 19 XF-RFO 2 XF-RFO Reversed Kilian 20 XF-LFI 1 XF-LFI 21 XB-RFO 1 XB-RFO 22 XF-L
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Read matching page 122 on this siteDance Assessment Resource Guide
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-St 4 1 RBI-Sw 35c 1⁄2+1⁄2 LFO3 Open 36 LBI 4 2+2 RBO3 37a RBIO 2+1 2 LFI ClS-St 37b 1 RBO Reversed Kilian 38 XF-LBI 1 XF-LBI 39 RFI 1 RFI 40 LFO 1⁄2 LFO 41 RFI-Ch 1⁄2 RFI-Ch 42 LFO 1 LFO 43 RFI-Pr 1 RFI-Pr 44 LFI 4 LFI ClS-St Closed 45a RFI 2 3 +1 RBO 45b LFO3 1⁄2+1⁄2 /RBO-Twl Outside 45c RBO 1 Open 46 LFO 1 LFO 47 RFI-Ch 1
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Read matching page 123 on this siteDance Assessment Resource Guide
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ore bringing the partners together again. A change of hold occurs during Steps 3 and 4 into a “high Kilian” hold in which skater A’s (the follow’s) left arm is extended across in front of skater B’s (the lead’s) chest. The right hands are clasped and held sideways and upward. Skater B’s (the lead’s) right arm passes behind s
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Read matching page 126 on this siteDance Assessment Resource Guide
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of Music A (Follow) Steps Open 1 LFO RFI-Ch 1 “and” RFI LFO-Ch 2 LFO RFI-Ch 1 “and” RFI LFO-Ch High Kilian 3 LFI3 1+1 RFI3 4 RFI LFO-Ch 1 “and” 1 LFI 5 RFI OpC-St LBI 1 “and” RFI OpC-St LBI 6 RBO Sw 2 RBO-Sw 7 LFI OpC-St RBI 1 “and” LFI OpC-St RBI 8 LBI 1 LBI 9 RBI 1 RBI 10 LBO RBI-Ch 1 “and” LBO RBI-Ch 11 LFI OpC-St RBI 1 “
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Read matching page 128 on this siteDance Assessment Resource Guide
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ut soft and subtle dance that must be skated with hidden power and control. The Rhumba is skated in Kilian hold throughout with both partners executing the same steps. The dance starts with a chassé followed by a double change of edge on Step 3. The left forward outside edge is held for two beats while the free foot is broug
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Read matching page 132 on this siteDance Assessment Resource Guide
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p Chart Hold Step No. Steps (same for B (Lead) Steps and A (Follow) Steps) Number of Beats of Music Kilian 1 LFO 1 2 RFI-Ch 1 3 LFOIO 2+1+1 4 XF-RFI 2 5 LFO 4 6 CR-RFO 2 7 XB-LFI 1 8 Wd-RFI 1 9 LFO 2 10 XB-RFI 4 11 Wd-LFI Wd-XF OpS-St 4 12 RBO Wd-XB-ClS-St 4 13 LFI 4 14 RFI3 4+2 15 CR-LBO 2 16 XF-RBI 2
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Read matching page 134 on this siteDance Assessment Resource Guide
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ollow’s) twizzles, the free foot is crossed in front of the skating foot. The dance is commenced in Kilian hold with a touchdown three-turn on the left foot for both partners (Step 1). Bending of the skating knee for two beats and rising on count three is essential in order to turn the three easily around the same axis, to k
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Read matching page 136 on this siteDance Assessment Resource Guide
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last three beats of that section. With the second three-turn of the follow partner, they change to Kilian hold. Step 10 for both is a touchdown three turned in Kilian hold on the third beat, followed by a short right backward outside edge skated on the “and” after beat three. Both skaters skate Step 11 for counts four to si
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Read matching page 137 on this siteDance Assessment Resource Guide
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rd outside edge, and skater B’s (the lead’s) Step 34b is a right forward outside edge changing into Kilian hold as skater A (the follow) turns their first three-turn. Step 35 is a cross behind left forward inside edge for both skaters held for two counts, and Step 36 is a right forward inside edge in preparation for the rest
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Read matching page 138 on this siteDance Assessment Resource Guide
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- Austrian Waltz Step Chart Hold Step No. B (Lead) Steps Number of Beats of Music A (Follow) Steps Kilian 1 LFO3 RBO between counts 3 & 4 2+1 “and” LFO3 RBO between counts 3 & 4 2 LFO 2 LFO 3 RFI-Ch 1 RFI-Ch 4a LFI 2 3 LFI 4b XB-RFO 1 Closed 5 XF-LFO-Sw 6 2+1+3 RFI3 -Sw 6 RFO3 2+1 3 LBO 7a LBO 3 2+4+2+1 RFO3 RBIO Tw1 7b RFO
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Read matching page 140 on this siteDance Assessment Resource Guide
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2 2 “and” 2 RBO 31b RBO 1 1⁄2+1⁄2 LFO3 32 LFO 3 RBO 33 CR-RFO3 2+1 3 LBO 34a LBO 3 2+3+1 RFO3/RBI3 Kilian 34b RFO 3 35 XB-LFI 2 XB-LFI 36 RFI 1 RFI
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Read matching page 141 on this siteDance Assessment Resource Guide
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wizzle of one rotation skated to one beat of music and on the swing roll they pass through Reversed Kilian hold to hand-in-hand hold. Steps 8 to 14 are the same for both partners. Step 8 is a RBO cross roll with the free legs in a front coupée position. At Step 9, the couple changes to Kilian hold where the follow partner’s
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Read matching page 144 on this siteDance Assessment Resource Guide
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F - Golden Waltz Step 22, which is a 12-beat series of three-turns on one foot, starts in Reversed Kilian hold. The follow partner performs their first two threes by wrapping around the lead partner while both of their free legs are in attitude position with the follow partner’s first three turned under the lead partner’s r
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Read matching page 145 on this siteDance Assessment Resource Guide
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1⁄2+1⁄2 1 RBO 5 RBO 3 2+1 LFO3 6 LFO 3 RBO Tango 7a CR-RFO3 2+1 2+1 +6 CR-LBO Tw 1 /LBO-Sw Reversed Kilian to handin-hand 7b LBO-Sw 6 8 CR-RBO 3 CR-RBO “Kilian” (arms extended) 9 LFO3 1+1 LFO3 10 RBO 1 RBO 11 LFO3 1+1 LFO3 12 RBO 1 RBO “Kilian” (arms wrapped) 13 LFO3/ LBI3 3+3+3 LFO3/LBI3 14 CR-RFO 3 CR-RFO 15a XB-LFI OpC-S
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Read matching page 147 on this siteDance Assessment Resource Guide
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ce Assessment Resource Guide February 2026 Copyright © 2026 Skate Canada 148 (between counts 6 & 1) Kilian 29 XF-RBI 3 XF-RBI 30a LFO 6 3 LFO Changing 30b 1+2 +3 3+3+2 +1 RFI3 /RBOTw2/ RBO3 /RFI“Tw” Closed 30c RFI3 2+1 30d LFO-RFI /LFO-RFI3 (between counts 3 & 4) 3 “and” 30e LFO-RBO (started briefly on 2 feet) /RBO 3 30f XF-
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Read matching page 148 on this siteDance Assessment Sheets
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Skate Canada Dance Assessment STAR 8A Dance - Kilian August 2025 Copyright © 2025 Skate Canada Date: D D / M M / Y Y Y Y Candidate: SC # Home Club/Skating School: Assessor: Evaluation Result: Pass with Honours ☐ Pass ☐ Retry ☐ STAR 8A Dance - Kilian Date: D D / M M / Y Y
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Read matching page 73 on this siteDance Assessment Sheets
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Skate Canada Dance Assessment STAR 8A Dance - Kilian August 2025 Copyright © 2025 Skate Canada Standards of Assessment Standards CRITERIA BRONZE (below standard) SILVER (standard) GOLD (above standard) Full Pattern Accuracy Correct steps, technique, pattern. Skater execut
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Read matching page 74 on this siteNo individually linked requirement match has been established. This does not mean the element is absent. Check programmes and evidence gaps.
